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Antares AVOX Bundle VSTRTASv113 AiRtorrent: Discover the Features and Benefits of the Vocal Kit



I picked this game up to give it a try, since there were no working cabinets around me. I'm extremelyglad I did because this is my favorite music game that's come out in the last half of a decade! Thecharts are extremely dynamic and the game is F-U-N! It's too bad that Konami killed it, but at leastI've managed to rescue one! The game is in pretty great shape, with only one tear in the cardboardtop pop. I've replaced the switches and tuned the sensors and it plays great!


Alberti bass is a kind of broken chord or arpeggiated accompaniment, where the notes of the chord are presented in the order lowest, highest, middle, highest. This pattern is then repeated several times throughout the music.[5] The broken chord pattern helps to create a smooth, sustained, flowing sound on the piano. "Chords of harmony broken up into short patterns. Steady bass patterns in orchestral music which give the rhythmic drive to Classical music, compensating for the energetic drive of the Baroque basso continuo line."[6]




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Alberti bass is usually found in the left hand of pieces for keyboard instruments, especially for Mozart's piano pieces. However, it is also found in pieces for other instruments. It has been described as, "a true tolerable monotony,"[7] and as, "perhaps the most overworked fixture of eighteenth-century music."[8]


Well-known examples of Alberti bass include the beginning of Mozart's Piano Sonata, K 545, and the third movement of Beethoven's Moonlight Sonata.[a] A famous example from 20th-century American popular music is the bass guitar part of the 1962 surf rock standard "Pipeline", by The Chantays.[10][11] Alberti bass is also used in the ending theme of Nintendo's Super Mario Bros. 2. [12][13]


Key terms and conceptsRelated to melody:contour: the shape of the melody as rising or fallingconjunct: stepwise melodic motion, moving mostly by step in intervals of a 2nddisjunct: melodic motion in intervals larger than a 2nd, often with a large number of wide skips range: the distance between the lowest and highest pitches, usually referred to as narrow (> octave) or wide (motive: a short pattern of 3-5 notes (melodic, rhythmic, harmonic or any combination of these) that is repetitive in a compositionphrase: a musical unit with a terminal point, or cadence. Lengths of phrases can vary.Related to rhythm:beat: pulsemeasures or bars: a metrical unit separated by lines in musical notationmeter: groups of beats in a recurring pattern with accentuation on strong beatsnon-metric, unmetrical: free rhythm, no discernable timesimple meters: beats subdivided into two parts (2/4, 3/4, 4/4)compound meters: beats subdivided into three parts (6/8, 9/8, 12/8)asymmetrical meters: meters with an uneven number of subdivisions (7/4, 5/8)mixed meters: shifting between metersmensurations: used in music from 1300-1600, the ratios of rhythmic durationsRelated to harmony:chords: three or more pitches sounding simultaneouslytriads: three notes that can be arranged into superimposed thirdsextended chords: thirds added above the triad, usually as a 9th, 11th or 13th consonance: a harmonic combination that is stable, usually in thirdsdissonance: a harmonic combination that is unstable, often including seconds or seventhsparallel motion: two or more parts moving in the same direction and same intervals, as in parallel fifthscontrary motion: two or more parts moving in the opposite direction oblique motion: occurs when one voice remains on a single pitch while the other ascends or descendscanon: (meaning rule) one melody is strictly imitated by a second part after a delay in the entrance of the second part. In order for the parts to end simultaneously, the canon may break down at the end of the composition. The canonic parts may occur at the unison or some other interval. round: an exact canon, ending at different times, as in ?Row, row, row your boat.?imitation: two or more parts that have the same or similar phrase beginning and with delays between entrances (as in a round or canon), but after the beginning of the phrase, the parts diverge into separate melodies Related to tonality:diatonic: a seven-note scale with a regular pattern of 5 whole and 2 half steps. Diatonic intervals are found within this type of scale.chromatic: using pitches outside of a particular diatonic scale, or using a succession of half steps.major tonality: pitches are related to a central pitch called the tonic. Major scales are used.minor tonality: pitches are related to a central pitch called the tonic. Minor scales are used.modal: refers to music using diatonic scales with Greek names (Western) or non-Western scales modulation: moving from one key area to another key atonality: music that is not tonal or not based on any system of keys or modesbitonality: the simultaneous use of two key areas.polytonality: the simultaneous use of two or more key areas.Related to texture:monophony (noun; monophonic = adjective, as in monophonic texture): literally ?one sound? - one melodic line, without harmony or any accompaniment, which can occur when one person or many people sing a melody simultaneously. Singing in octaves is considered a monophonic texture.homophony (noun; homophonic = adjective): one melodic line with a harmonic accompaniment that supports the melody.polyphony (noun; polyphonic = adjective): two or more parts sung or played simultaneously.heterophony (noun; heterophonic = adjective): multiple voices singing a single melodic line, but with simultaneous melodic variants between the singers. Heterophony often occurs in non-Western music and sometimes in folk music.


homorhythms: the same rhythms in all parts, as in the singing of a hymn.counterpoint (noun; contrapuntal = adjective): like polyphony in that it has two or more compatible melodies performed simultaneously.Related to tempo: consult the Oxford Music Onlinecommonly in Italian from the 17th-18th c., and then increasingly in other vernacular languageslargo, lento, adagio, andante, moderato, allegretto, allegro, presto, prestissimoqualifying terms: meno (less), pi (more), molto (very or much) poco a poco (little by little), assai (very) mosso (motion), sostenuto (sustained), non troppo (not too much)Related to expression:crescendodecrescendo/diminuendopianofortemezzoterraced dynamics: a sudden and dramatic shift from loud to soft or soft to loudaccelerandorubatoReleated to timbre: classifications of instrumentschordophone: string instrumentsaerophones: wind produces the sound (woodwinds and brass instruments)membranophone: a vibrating membrane produces the sound (drums)idiophone: sound is produced from the material (wood, glass, stone, metal)Related to ensembles:choir: vocal ensemblevoice ranges: bass, tenor, alto, soprano (from lowest to highest)choral: music written for a choira cappella: choral music without instrumental accompaniment, literally ?at the chapel?polychoral: two or more choirs in a composition, usually with an antiphonal or echo effectorchestra: large instrumental ensemble with stringsband: large instrumental ensemble without stringschamber ensembles: trio, quartet, quintet, sextet, octetStandard ensemble combinations:string trio: three string instrumentspiano trio: piano, violin, cellostring quartet: two violins, viola, cellopiano quintet: piano and a string quartetbrass quintet: 2 trumpets, french horn, trombone, tuba wind quintet: flute, clarinet, oboe, bassoon, french hornRelated to text and music:syllabic: one syllable sung to each notemelismatic: one syllable sung to several notes sacred: religious music, often for the church liturgy (services) secular: worldly, non-religious music, usually in the vernacularvernacular: texts in the language of the people (English, French, Spanish, German, etc.)Related to musical forms: Generally capital letters are used to distinguish different sections of a composition. A capital refers to an exact repetition. A lowercase letter refers to the same music but new text. A prime number after the capital refers to a variation of the music from the original section. repetitive forms: strophic: a vocal form consisting of several phrases. The musical form is repeated using different verses of text, as in a hymn or folksong. modified strophic: simply means that the repetitions of the sections are varied slightly, but not so much that they are a significant variation or the original.bar form: two sections of music, with only the first section A repeated. Many hymns use the far form.binary form: two sections of music, usually with each A and B section repeated. This is typically used in dances. When a group dances are combined into a suite, the dances generally all stay in the same key. 2ff7e9595c


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